In my old school days, (1978 to 84) and the shop I first got my guppy-gills wet doing body work, we would use wool pads on 5000+ rpm grinders that weighed 15 lbs or more, that we’d convert to buffers, using heavy compounds and slow steady motions, we were able to build up enough heat that the surface of the clear-coat would ‘almost/kind-of/sorta/if-you-know-what-I-mean’ seem to melt just enough to resurface and loose those etch marks. I went into all that for this next part:
As “Accumulator� expresses, be careful with the clear coat, so here’s a very rare moment that worked out well. Was I lucky ... maybe ... but here’s what we did:
We had a client with the same dilemma you have (2003 Merc S Class) who wanted a bad case of those etchings out. I looked up a guy I know who still does old-school restoration and painting for antiques and collectables in the same shop I started in. He’s still using these old techniques to match the finish for the period of time the cars were made. Making this a shop trip, took the whole crew up to his shop with the car ... and he went to work. With some old school techniques, wool pads, cotton string-tie bonnets using black ebony ... he got 95% of them out. Every one of the guys I brought up was astounded by the results. After he was done we went over the car with Sonus Step 2, polish, glaze and wax. The clear is still on the car and the customer is dazzled!
I’m not saying I’d do this as a regular practice. In fact, if it wasn’t for the client and the relationship we have with him, I’d never have tried this! But if you’re desperate, and you can find a shop ... and a senior member of the shop who still has the ability to ‘read the feel of wool-pad-drag’ those old wool pads feed back on an old school rotary ... maybe, and with luck ... you may get the results you’re looking for. I know I don’t have that touch anymore.
If you’ve decided to repaint ... then at least try this technique on a panel first and see if it will give you what you’re looking for.
Hope it helps.